Music director – Jose Carlos Matos Wed, 13 Oct 2021 04:26:40 +0000 en-US hourly 1 Music director – Jose Carlos Matos 32 32 Tradition, rather than trying to emulate 6 Music, is the future of BBC Radio 4 Wed, 13 Oct 2021 04:00:00 +0000

And there’s the potential catch, with a music chat program like this, presenters sounding a bit like tiresome music snobs fighting over the stereo at a party. Luckily, veteran music radio DJ Cerys Matthews was a star here, remembering to keep bringing the conversation back to the listener.

Add to playlist was strangely like music radio, maybe 6 Music in particular, sometimes. Boakye kicked off the summit, for example, by announcing ‘let’s do this’. Not your typical Radio 4 intro, but then maybe that is the point; this is part of an attempt by Radio 4 controller Mohit Bakaya to freshen things up. If he can settle down, find his style, and stay focused on how music is made, thankfully he should fill the musical void in Radio 4’s artistic cover.

But Radio 4 shouldn’t think they invented the art of discussing music in a culturally educated way. On Radio 3, Between the ears: a tapestry from Orkney (Sunday, Radio 3) showed effortlessly how to be daring, creative and culturally mixed. Composer Erland Cooper and violinist Daniel Pioro embarked on a musical pilgrimage around the Orkney Islands to commemorate the literary achievements of George Mackay Brown, playing music among brochs and rock formations, singing sheep and seals of the coast . It was wild and inspiring.

Meanwhile, a much more confident start to Radio 4’s new artistic installment was the inaugural episode of This cultural life (Radio 4, Saturday), a long-running interview series in which John Wilson will speak to cultural figures about their creative process, inspirations and experiences. The first guest was Kenneth Branagh, partly there to film his new film, Belfast, but also to talk about his earliest memories of performing, his love for Shakespeare and what it was like to play at the ceremony. opening of the London 2012 Olympics.

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Symphony in C Brass and Organist Matthew Smith in concert at Haddonfield on November 7th Mon, 11 Oct 2021 21:28:41 +0000

originally published: 10/11/2021

(COLLINGSWOOD, NJ) – The Symphony in C Brass, a 10-piece ensemble will collaborate with organist Matthew Smith for a free concert at Haddonfield United Methodist Church on Sunday, November 7, 2021 at 4:00 p.m. The concert will be conducted by Paul Bryan. This diverse program includes two selections by Venetian composer Giovanni Gabrieli, an arrangement of the Virtual Choir 2020 hymn by Eric Whitacre Sing Gently and the magnificent Grand Choeur Dialogue by French composer Eugène Gigout, arranged for organ and brass.

The concert is free, but you can register in line. COVID-19 vaccination masks and documents required. Please have proof of vaccination ready to show. The concert will last one hour without an intermission. The Haddonfield United Methodist Church is located 29 Warwick Road at Haddonfield, New Jersey.

Matthew Smith is organist at Haddonfield United Methodist Church. Matt received a Masters of Music in Organ Performance from Westminster Choir College in May 2017. Born and raised in Geneva, Ill., He attended Carthage College in Kenosha, Wisconsin, where he earned a Bachelor of Arts in Music with a concentration in Organ and Piano. While there he worked mainly as an accompanist for the vocal faculty studios and as an assistant music director / keyboardist in the pit orchestra for various musical theater productions. He received first place in the Joan Lippincott Competition for Excellence in Organ Performance at Westminster Choir College in February 2017 and has given organ recitals at various venues including Princeton University Chapel and the Marble Collegiate Church in New York.

Paul Bryan has a distinguished career as a performer and educator. In addition to being dean of the Curtis Institute of Music, he is director and conductor of Bravo Brass, the brass ensemble of the Philadelphia Youth Orchestra; musical director of the Philadelphia Wind Symphony and Symphony at C’s Symphony Summer Camp; and conductor of the Young Artists Summer Program at Curtis Summerfest.

Mr. Bryan has been a conductor of the Drexel University Orchestra and of Philadelphia’s All-City Concert Band; and has performed with the New York Summer Music Festival, Play On, Philly !, and numerous honorary groups in the Delaware Valley. He has conducted concerts with a wide range of groups, wind and brass ensembles from the Philadelphia Chamber Orchestra to Boyz II Men.

Mr. Bryan is a graduate of the Curtis Institute of Music and Temple University, where he studied trombone with Glenn Dodson and Eric Carlson and conducted with David Hayes, Arthur Chodoroff and Lawrence Wagner. He joined Curtis’ staff in 1993, became a faculty member in 2009, and was appointed to his current position in 2013. He is also a faculty member at Temple University.

This FREE CONCERT is made possible in part by funds from the New Jersey State Council on the Arts, the Geraldine R. Dodge Foundation, the Presser Foundation, the Horizon Foundation for NJ, the Frank and Lydia Bergen Foundation, the William G. Rohrer Charitable Foundation, and the TD Charitable Foundation. Symphony in C is a member of ArtPride and the South Jersey Cultural Alliance (SJCA).

Symphony in C is one of three professionally-trained orchestras in the United States that prepare musicians and conductors for world-class careers through concerts, outreach programs, and professional development. Symphony in C serves over 90,000 people each year through its critically acclaimed concert series, outreach programs and radio broadcasts. Symphony in C has been named a Major Arts Institution by the New Jersey Arts Council and strives to continue to make an artistic, educational and economic impact regionally, nationally and globally.

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Review: The Return of the New Jersey Symphony Orchestra, with Gusto Sun, 10 Oct 2021 16:10:56 +0000

NEWARK, New Jersey – Since becoming Music Director of the New Jersey Symphony Orchestra in 2016, dynamic conductor Xian Zhang has worked tirelessly to reflect diversity and inclusion through the programming of the institution, awareness initiatives and guest artists. This was crucial in a city where the majority of the inhabitants were black and Latino; he also spoke about Zhang’s own experience as one of the few Asian female conductors to conduct major ensembles. Those priorities were in evidence on Friday when, 557 days after its last full orchestral concert (due to the pandemic), the New Jersey Symphony opened its new season at the New Jersey Performing Arts Center on a balmy night in Newark.

The program opened with the premiere of “Emerge” by Michael Abels. Best known for his sheet music for contemporary horror films “Get Out” and “Us,” Abels describes this eight-minute piece as suggesting that a group of highly skilled musicians get back together after a long hiatus, a script that speaks volumes. at the time.

It begins with the evocation of an orchestral chord. We hear the oboe play a single pitch of a, which the other instruments pick up. Soon the various musicians break up into short melodic three-note pieces, quivering strings, choppy rhythms and sustained tones that keep swelling and diminishing. During one episode, players seem to almost be in free mode, somewhat reminiscent of how many orchestras heat up on stage as the audience arrives, creating a mass of borderline boring sounds. But the music here becomes like an agitated sound collage pierced with flint dissonance. Soon, various players take off in bluesy solos, or engage in ephemeral counterpoints. Finally, the musicians join forces in passages of mellow lyricism, nervous bursts, manic scales, all leading to a brassy and festive coda.